When most people go to an exhibit at a museum they may see things like the skeletons of animals, tools from ancient peoples, or even a life size replication of a dinosaur, most people don't plan on seeing an exhibition of preserved human bodies, which is exactly what many museums are doing: displaying human bodies (NPR 2006).
An ad for "Bodies: The Exhibition"
"Bodies: The Exhibition" and other displays similar to it, which describe their exhibition as a "look deep inside the systems of the human body, [the display] offers an intimate and informative view into the human body. The Exhibition allows visitors to see the human body's inner beauty in educational and awe-inspiring ways. [We have] over 200 actual human boides and specimans meticulously dissected and respectfully displayed" (Bodies ... The Exhibition 2014).
People observing an "exhibit" at 'Bodies: The Exhibition'
Many controversies exist surrounding this exhibition of actual human bodies, questions like where did the bodies come from? How were they preserved? Who "owns" these bodies? (NPR 2006)
The author, Mike Pearson describes in his book "The Archaeology of Death and Burial", some of the controversies that have existed throughout the ages about "who owns a body".
In the chapter "The Politics of the Dead" Pearson states that there "is a genuine desire to protect the dead and to release them from their 'prisons' in museum stores and, for many, this is a moral stance linked to a different understanding of history, in which the past lives on in the present" (Pearson 1999).
Why do they look like that?
Many exhibits like Bodies are remarkable for the extremely
well-preserved nature of their specimens. This is due to a process known as “plastination”,
a preservative technique originally devised by Gunther von Hagens in 1977. von
Hagens went on to found Body Worlds, the first example of this particular form
of exhibit, and he described plastination as a technique that was constantly
being refined.
According to von Hagens Body Works website, plastination halts
decomposition in treated tissue through “removing water and fats from the
tissue and replacing these with polymers”, thus preventing the growth of
putrefying bacteria (Body Worlds). The tissue is the impregnated with polymers,
posed, and hardened in order to maintain the pose. This process creates a unique and memorable result.
According to Bodies, the plastination process is described as producing “a dry,
odorless, permanently preserved specimen containing no toxic chemicals. It
retains the look of the original, but functions as if it were rubber (Premier Exhibitions, 2014).”
The flexible nature of human remains treated with the
plastination process, combined with the halt to the process of decomposition, allows
exhibitions like Bodies, Body World, and others to create visibly engaging
sculptures that serve an educational purpose. These exhibits demonstrate the
nature of body systems in a somewhat visceral but also an engaging and
memorable way.
Ethical Inquiry?
Both Bodies... The Exhibition and Body World have come under ethical scrutiny. Both exhibits claim to be entirely upfront about their exhibits but the paper trail is questionable. Body Wold CEO claims to only us bodies donated to the Institute for
Plastination (IFP) which is owned and managed by the same corporation that owns the Body World exhibit (NPR 2006). The IFP has paperwork for the American and European donor bodies and can link that paperwork to death certificates, however each body on display is made anonymous and can not be directly linked back to any paperwork.
Bodies... The Exhibition uses unclaimed bodies purchased from China, these bodies were not donated but had the status unclaimed (NPR 2006). These bodies have been rumored to be political prisoners or Chinese homeless. Bodies... is upfront about their acquisition process but the questionable means of obtainment still has many institutions wary about hosting this competitor.
Ethical Inquiry?
Both Bodies... The Exhibition and Body World have come under ethical scrutiny. Both exhibits claim to be entirely upfront about their exhibits but the paper trail is questionable. Body Wold CEO claims to only us bodies donated to the Institute for
Plastination (IFP) which is owned and managed by the same corporation that owns the Body World exhibit (NPR 2006). The IFP has paperwork for the American and European donor bodies and can link that paperwork to death certificates, however each body on display is made anonymous and can not be directly linked back to any paperwork.
Bodies... The Exhibition uses unclaimed bodies purchased from China, these bodies were not donated but had the status unclaimed (NPR 2006). These bodies have been rumored to be political prisoners or Chinese homeless. Bodies... is upfront about their acquisition process but the questionable means of obtainment still has many institutions wary about hosting this competitor.
Works Cited
"Bodies ... The Exhibition." Bodies ...
The Exhibition. Premier Exhibitions, Inc., 2014. Web. 12 Apr. 2015.
<http://www.premierexhibitions.com/exhibitions/4/4/bodies-exhibition/learn-more>.
"Origins of Exhibited Cadavers Questioned." NPR.
NPR, n.d. Web. 12 Apr. 2015.
<http://www.npr.org/templates/story/story.php?storyId=5637687>.
"The Idea behind Plastination." Plastination.
The Plastination Institute, n.d. Web. 16 Apr. 2015.
Pearson, Michael Parker. "Reading the Body." The
Archaeology of Death and Burial. College Station: Texas A & M UP, 1999.
57-59. Print

